Romance

Romance
By:Joseph Conrad,F. M. Hueffer
Published on 2016-03-20 by



RomanceBy Joseph Conrad, F. M. Hueffer (Authored by)

This Book was ranked at 10 by Google Books for keyword romance.

Book ID of Romance's Books is aNUMDQEACAAJ, Book which was written byJoseph Conrad,F. M. Huefferhave ETAG "kTYLfwNP/KQ"

Book which was published by since 2016-03-20 have ISBNs, ISBN 13 Code is 9781530640775 and ISBN 10 Code is 1530640776

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The Romance of Yder By:Alison Adams Published on 1983 by DS Brewer The Romance of Ydersurvives in a unique manuscript in Cambridge University Library, and has only once been edited; no translation survives. Yet it is a highly interesting work, reflecting a tradition which reaches back to the beginnings of Arthurian romance in the early 12th century; it is linked to the famous Arthurian sculpture on the cathedral at Modena, and contains an episode which foreshadows the temptation scene in Sir Gawain and the Green Knight, while elsewhere Celtic material is much in evidence as the basis of the tale. It is also close in style and sometimes in content to the work of Chrétien de Troyes. Dr Adams' text provides a clear version of an often corrupt original, and the facing translation serves to illuminate the text further, enabling this neglected work to take its rightful place in the ranks of Arthurian literature. This Book was ranked at 39 by Google Books for keyword romance. Book ID of...
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Pictures of Romance

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Pictures of Romance By:Wendy Steiner Published on 1988 by University of Chicago Press How do pictures tell stories? Why does the literary romance so often refer to paintings and other visual art objects? Beginning with these two seemingly unrelated questions, Wendy Steiner reveals an intricate exchange between the visual arts and the literary romance. Romances violate the casual, temporal, and logical cohesiveness of realist novels, and they do so in part by depicting love as a state of suspension, a condition outside of time. Steiner argues that because Renaissance and post-Renaissance painting also represents a suspended moment of perception with |unnatural| clarity and compression of meaning, it readily serves the romance as a symbol of antirealism. Yet the atemporality of stopped-action painting was actually an attempt to achieve pictorial realism—the way things |really| look. It is this paradox that interests Steiner: to signal their departure from realism, romances evoke the symb...
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