Bad Romance

Bad Romance
By:Emily Hill
Published on 2018-02-08 by Unbound Publishing



Tales from the happily never after At a wedding, one woman’s revenge comes in the shape of her heavily pregnant belly. As a career girl attempts to climb the ladder she slides down into ever more grotesque flatshares. A single woman who always attends parties alone realises that the truth might not always be the best answer. And one Londoner learns her most important lesson since moving to the city – never act friendly towards a stranger. Bad Romance is dark, hilarious and moving by turn as Emily Hill’s acid wit gives life to the women whose tales never normally make it into the storybooks.

This Book was ranked at 33 by Google Books for keyword romance.

Book ID of Bad Romance's Books is QOAkDwAAQBAJ, Book which was written byEmily Hillhave ETAG "/2KAbNc67QU"

Book which was published by Unbound Publishing since 2018-02-08 have ISBNs, ISBN 13 Code is 9781783524976 and ISBN 10 Code is 1783524979

Reading Mode in Text Status is true and Reading Mode in Image Status is false

Book which have "272 Pages" is Printed at BOOK under CategoryFiction

This Book was rated by Raters and have average rate at ""

This eBook Maturity (Adult Book) status is NOT_MATURE

Book was written in en

eBook Version Availability Status at PDF is trueand in ePub is true

Book Preview



Komentar

Posting Komentar

Postingan populer dari blog ini

In Harness

Gambar
In Harness By:Gennady J. Estraikh,Gennadiĭ Ėstraĭkh Published on 2005 by Syracuse University Press Here is a detailed glimpse into the lives and times of Yiddish writers enthralled with Communism at the turn of the century through the mid-1930s. Centering mainly on the Soviet Jewish literati but with an eye to their American counterparts, the book follows their paths from avant-garde beginnings in Kiev after the 1905 revolution to their peak in the mid-1930s. periodical called In Harness - and Der Nister and David Hodshtein come to life as do Leyb Kvitko, Peretz Markish, Itsik Fefer, Moshe Litvakov, Yekhezkel Dobrushin, and Nokhum Oislender. Gennady J. Estraikh charts the course of their artistic and political flowering and decline and considers the effects of geography - provincial vs. urban - and party politics upon literary development and aesthetics. No other book concentrates on this aspect of the Jewish intellectual scene nor has any book unveiled the scale and intensity of Yiddi...
Baca selengkapnya

The Romance of Yder

Gambar
The Romance of Yder By:Alison Adams Published on 1983 by DS Brewer The Romance of Ydersurvives in a unique manuscript in Cambridge University Library, and has only once been edited; no translation survives. Yet it is a highly interesting work, reflecting a tradition which reaches back to the beginnings of Arthurian romance in the early 12th century; it is linked to the famous Arthurian sculpture on the cathedral at Modena, and contains an episode which foreshadows the temptation scene in Sir Gawain and the Green Knight, while elsewhere Celtic material is much in evidence as the basis of the tale. It is also close in style and sometimes in content to the work of Chrétien de Troyes. Dr Adams' text provides a clear version of an often corrupt original, and the facing translation serves to illuminate the text further, enabling this neglected work to take its rightful place in the ranks of Arthurian literature. This Book was ranked at 39 by Google Books for keyword romance. Book ID of...
Baca selengkapnya

Pictures of Romance

Gambar
Pictures of Romance By:Wendy Steiner Published on 1988 by University of Chicago Press How do pictures tell stories? Why does the literary romance so often refer to paintings and other visual art objects? Beginning with these two seemingly unrelated questions, Wendy Steiner reveals an intricate exchange between the visual arts and the literary romance. Romances violate the casual, temporal, and logical cohesiveness of realist novels, and they do so in part by depicting love as a state of suspension, a condition outside of time. Steiner argues that because Renaissance and post-Renaissance painting also represents a suspended moment of perception with |unnatural| clarity and compression of meaning, it readily serves the romance as a symbol of antirealism. Yet the atemporality of stopped-action painting was actually an attempt to achieve pictorial realism—the way things |really| look. It is this paradox that interests Steiner: to signal their departure from realism, romances evoke the symb...
Baca selengkapnya